Compasses

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Since Renaissance times synonymous of seste (compasses), the name derives from the Latin "cum" and "passus", literally  "with step", that is, at a measured or constant rhythm.  
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Since Renaissance times synonymous of ''seste'' (compasses), the name derives from the Latin "cum" and "passus", literally  "with step", that is, at a measured or constant rhythm.  
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Revision as of 11:09, 12 November 2009

Since Renaissance times synonymous of seste (compasses), the name derives from the Latin "cum" and "passus", literally "with step", that is, at a measured or constant rhythm.


Description

Instrument for drawing circles, ellipses and other curved lines. Also instrument of measurement and for transferring measurements. The term "compass" or "compasses" denotes a wide range of instruments for drawing, measurement, and proportional calculation. Besides the more common compasses for drawing circumferences, widespread since antiquity, the Renaissance has left us a great number of special compasses, whose names reflect their specific functions: oval compasses to draw ellipses, hyperbolas and parabolas; two-point compasses—also called dividers—to divide lines and transfer measurements; single-handed dividers, to track routes on sea-charts; compasses with curved points, called Caliper compasses, to measure mouths of cannons, cannon balls, and columns; three-point compasses to reproduce maps; four-point compasses, or reduction compasses, to enlarge or reduce drawings, divide lines and circumferences proportionally, and draw polygons; eight-point compasses to measure fractions of degrees and carry out proportional calculations; proportional compasses to perform arithmetic, geometric, and trigonometric calculations and to measure weights, gradients, and distances for military use; and sophisticated surveying compasses that combined a magnetic compass, a windrose, and optical sights for surveying and for drawing topographic maps.


Bibliographical Resources

Scamozzi, Vincenzo. L’idea della architettura universale, Venezia 1615, Parte I, Lib. I, Cap. XV, p. 49: "…I compassi siano piuttosto d’ottone, che d’altra materia che s’irrugginisca; ben leggieri e sottili di gambe, purchè non tremino, all’uso di Francia…".



Images


Author of the entry: Filippo Camerota

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